Culture Phantom 20 – Mark Henley

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Date: novembre 12, 2021

Elçim Özdemir, first alto soloist from the Orchestre de la Suisse Romande preparing to give a series of short solo performances in a design store (Les enfants terribles) in Geneva. He will perform for a single member of the public each time, once the shop has closed. This inititaive based on a German idea, takes place in different locations across the city, and is free, a way to remain in contact with the public during Covid.
Photography by Mark Henley/Flux Laboratory from series ‘Culture Phantom’.

Culture Phantom

 

« Bats-toi, signe et persiste: résiste, résiste, résiste ».

Sang the lady in the long black dress to a masked audience on 19th April the day the theatres re-opened.

 

This is a record of what may already seem like ancient history, of ‘culture’ in Geneva under Covid-19 lockdown, made phantom by closed halls, vacant seats, masked streets and anxiety around the pandemic and the future.

 

It grew out of a conversation, and evolved organically, from artist to musician, to performer, to director, and back again, an ever-growing cast, kind enough to allow a camera-eye inside their world, during a complicated and stressful time.

 

The works shown here are inevitably ‘in progress’, including their false starts, and explorations, with changes of direction, of dropped songs and the sound of that half-second it takes a full orchestra to stop unexpectedly. It’s a zone we see too rarely, this process of creation, and I hope something of that creative energy is caught here. The exhibition itself reflects this process, part of an ongoing discussion, including a timeline of the process, and a projection of potential images.

 

All the photographs shown were taken between January and 13th April, the night before the Conseil fédéral unexpectedly announced the partial reopening of the theatres and cultural life. No one pictured here had any expectation that that would be so.

 

I would like to thank all the people, and institutions that allowed me access to their worlds, and to Cynthia Odier and Flux Laboratory for starting the conversation and supporting the project.

 

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